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SCOTT HETZ CLARK is a young baritone from Leesburg, Virginia, USA, and a graduate of the James Madison University School of Music. Most recently, Scott spent the summer as an Emerging Artist at the historic Seagle Festival in upstate New York, where he performed the title roles in both Don Giovanni and Sweeney Todd: The Demon Barber of Fleet Street. Last year, he debuted at Lincoln Center with Teatro Nuovo, singing the role of Don Asdrubale in the Ricci brothers' rarely performed comedy Crispino e la Comare. Scott also received an encouragement award in the DMV district of the highly competitive Metropolitan Opera Laffont Competition and will return this year to compete in the inaugural Capital District competition. His career spans collaborations with various companies across the country, including Sarasota Opera, Opera Baltimore, Bel Cantanti Opera, and others.

 

Scott made his operatic debut in 2019 at the Prague Summer Nights Young Artists Festival, performing the title role in Mozart's Le Nozze di Figaro. In 2022, he returned to the festival to perform the title role in Don Giovanni at the historic Estates Theater, the same venue where Mozart himself premiered and conducted the opera in 1787. Additionally, he performed at Theater Rudolstadt with the Thüringer Symphoniker Orchestra as Masetto in Don Giovanni and later as Dr. Falke in Strauss's Die Fledermaus with the Lyric Opera Studio Weimar.

 

His repertoire includes notable roles like The Pirate King in Gilbert and Sullivan’s The Pirates of Penzance, Papageno in Mozart's Die Zauberflöte, Sulpice in Donizetti's La fille du régiment, and Méphistophélès in Gounod's Faust. Scott also has a strong presence in oratorio music, having competed as a semi-finalist in the Oratorio Society of New York’s Lyndon Woodside Oratorio-Solo competition in 2021. His oratorio roles include Raphael in Haydn's Creation, Méphistophélès in Berlioz's La Damnation de Faust, and he has been a featured soloist in Handel's Messiah, Ralph Vaughan Williams' Five Mystical Songs, and Mendelssohn's Elijah.

Beyond opera and oratorio, Scott has a distinct passion for Jazz and American Standards, frequently performing in the Northern Virginia and wider D.C. area. He has headlined at major jazz clubs in the DMV and was a featured act at the Tarara Summer Concert Series alongside Big Night, a premier big band in Northern Virginia.

 

Scott is deeply committed to community engagement, serving on the board of directors at Loudoun Lyric Opera, where he focuses on developing and sharing opera from a grassroots level.

 

Off-stage, Scott has several unwonted interests including snowboarding, home-brewing, Brazilian Jiu-Jitsu, camping, fishing, traveling, and spending time with his dog, Storm. He is immensely thankful for his family's unwavering love and support and the mentorship he has received throughout his musical career.

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E fra quest'ansie (Silvio's Aria) from Leoncavallo's "Pagliacci" - Scott Hetz Clark

Scott Hetz Clark, baritone
E fra quest'ansie (Silvio's Aria) from Leoncavallo's "Pagliacci" - Scott Hetz Clark
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E fra quest'ansie (Silvio's Aria) from Leoncavallo's "Pagliacci" - Scott Hetz Clark

E fra quest'ansie (Silvio's Aria) from Leoncavallo's "Pagliacci" - Scott Hetz Clark

04:01
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Avant de quitter ces lieux from Charles Gounod's "Faust"

Avant de quitter ces lieux from Charles Gounod's "Faust"

04:22
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Luck Be a Lady from "Guys and Dolls" - Scott Hetz Clark

Luck Be a Lady from "Guys and Dolls" - Scott Hetz Clark

03:00
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Hai gia vinta la causa (Count's Aria) from W.A. Mozart's "Le nozze di Figaro"

Hai gia vinta la causa (Count's Aria) from W.A. Mozart's "Le nozze di Figaro"

04:58
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"...the revival of the show was mainly thanks to the dexterity of Scott Hetz Clark in the role of Don Giovanni..."                   
                 - Helena Havlikova, Opera+
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"...and the handsome baritone Scott Hetz Clark (an incongruously young and barihunky Don Asdrubale) were very much in the picture..."
                 - Eli Jacobson, parterre box
"Baritone Scott Hetz Clark gave a phenomenal performance (as Don Asdrubale)"
                       - Jennifer Pyron, OperaWire

 
"Scott Hetz Clark was too young and handsome to play the unpleasant and miserly Don Asdrubale but was convincing in his heart attack scene..."
              - Meche Kroop, VOCE DI MECHE
"...and Scott Hetz Clark (USA) gave Masetto a sympathetic touch with his young, powerful bass-voice"
                    - Thüringische Landeszeitung
"Scott Hetz Clark was suitably irksome as Don Asdrubale, the miserly landlord, hounding Crispino and his wife for the rent"
                 -Richard Sanasow, BroadwayWorld
"...another highlight (of the gala) was Franz Schubert's “Der Lindenbaum”, performed by Scott Hetz Clark, who was just 22 years old, from the USA."                   
                 - T
hüringer Allgemeine
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